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昆曲音乐 Kunqu music英语短句 例句大全

时间:2023-04-12 14:19:09

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昆曲音乐 Kunqu music英语短句 例句大全

昆曲音乐,Kunqu music

1)Kunqu music昆曲音乐

2)music store音乐曲库

1.The project function of windows can be used to solve the MP & Computer′s Automatic power and to erect the relativemusic store,autoplay, in order to ensure the autoplay of the broadcasting system.研究利用 Windows的计划任务来解决扩音机和电脑的自动开关及建立相关音乐曲库、自动播放任务 ,以此实现广播系统的自动化播

3)Songs[英][s??][美][s??]音乐歌曲

1.MusicSongs form the Theory of Multiple Intelligence in Integrated English Teaching;从多元智能理论看音乐歌曲对综合英语教学的影响

4)Drama music戏曲音乐

1.Singing and accompaniment in drama music supplement and complement each other and they make up the main body of drama music.戏曲音乐中的唱腔与伴奏,彼此相辅相成,相得益彰,既对立又统一地构成了戏曲音乐的主体。

英文短句/例句

1.The Development of Opera Music during the Song-Yuan period and Ming-Qing period;宋元戏曲音乐与明清戏曲音乐之发展

2.Drama Element in Chinese Piano Music Utilization戏曲音乐元素在中国钢琴音乐中的运用

3.Study on Folk Essentials of the Local Opera s Music Creation in Ming Dynasty;明代戏曲音乐创作之民间性本质研究

4.On the Features of Melody and Mode in Xibe Drama Music;论锡伯族戏曲音乐的旋律及调式特征

5.An Elementary Study on the Change of Aria in Opera music--The music of Huangmei opera as an example;戏曲音乐腔形变化的一般性探索——以黄梅戏的音乐为例

6." The traditional folk music of our Chinese may be divided into folk songs, music for dance drama or ballet and opera, music for the art of shuochang, music for traditional opera, and national instrumental music. "中国民族音乐可分为民歌,歌舞音乐,说唱音乐,戏曲音乐及民族器乐5种。

7.On Teaching of Opera Music in Junior Middele School;让中国戏曲走近学生——初中段戏曲音乐的教学与实践

8.A New Way of Inheriting Local Folk Music--Introducing Linchuan Opera Music to the Teaching of Sight-singing and Ear Training地方民间音乐传承新路探索——临川戏曲音乐引入视唱练耳课堂教学

9.Discussion on the Formation of the Ancient Drama Music and the Fusion of National Culture;论古代戏曲音乐的形成和民族文化融合

10.A view of“ZHI”,the Spoken Music of Chinese Traditional Operas;小往大来“一”之“多”——“徵”口语戏曲音乐大家族管窥

11.From One to Many,(as in Business Dealings)--A limited view of “ZHI”,the spoken music of Chinese traditional operas;小往大来“‘一’之‘多’”——“徵”口语戏曲音乐大家族管窥

12.musical, dramatic, quyi and choreographic works;音乐、戏剧、曲艺、舞蹈作品;

13.(3) musical, dramatic, quyi and choreographic works;(三)音乐、戏剧、曲艺、舞蹈作品;

14.Liu Fang enters the world of the guzheng so very profoundly as to play her music as if emerging from the earth itself." 刘芳的音乐的确是戏曲灵魂.

15.A Study on the Relationship between the Gong and Drum Spot and the Performance in Puxian Opera;莆仙戏音乐中锣鼓点与戏曲表演关系之探究

16.Percussion Instruments and Their Role in Music Education;浅议戏曲打击乐及其在音乐教育中的作用

17.a successful musical must have at least three good songs.一个成功的音乐戏剧最少要有三首好的歌曲。

18.Strengthening Status of Drama Art in Basic Music Teaching;加强戏曲艺术在我国基础音乐教学中的地位

相关短句/例句

music store音乐曲库

1.The project function of windows can be used to solve the MP & Computer′s Automatic power and to erect the relativemusic store,autoplay, in order to ensure the autoplay of the broadcasting system.研究利用 Windows的计划任务来解决扩音机和电脑的自动开关及建立相关音乐曲库、自动播放任务 ,以此实现广播系统的自动化播

3)Songs[英][s??][美][s??]音乐歌曲

1.MusicSongs form the Theory of Multiple Intelligence in Integrated English Teaching;从多元智能理论看音乐歌曲对综合英语教学的影响

4)Drama music戏曲音乐

1.Singing and accompaniment in drama music supplement and complement each other and they make up the main body of drama music.戏曲音乐中的唱腔与伴奏,彼此相辅相成,相得益彰,既对立又统一地构成了戏曲音乐的主体。

5)opera music戏曲音乐

1.The article intends to use the aria change ofopera music as an exploration object, trying to take Huangmei Opera as an example to disclose the rule of aria change and development.本文以戏曲音乐的腔形变化作为一般性探索对象,并试图以黄梅戏为例揭示戏曲音乐唱腔形态发展变化的规律。

2.For a long time there have been various opinions on naming (including classifying) theopera music, such as "Banqiangti", "Banshibianhuati" and "Qupaibanqiangti".长期以来对戏曲音乐体制的命名 (含分类 )众说纷纭 ,如 :“板腔体”、“板式变化体”、“曲牌板腔体”……“曲牌板式变化体”说 ,试图使中国戏曲音乐体制的命名 (含分类 ) ,尽量名实相符 ,且能“一以贯之”。

3.Opera is an important part of the Chinese traditional culture and is characteristic to chinese people as a Rind of comprehensive stage art,in which,however,opera music is the most important part.而戏曲音乐是这一综合艺术极为重要的组成部分。

6)traditional opera music戏曲音乐

1.In the Sixteen kingdom and North dynasty,the music of the western regions and all the surrounding nations entered the Central Plains,merging with the Central Plains s traditional music,thus the eighty-four tunes came into being,which laid the foundation for thetraditional opera music and had a direct influence on its unique style in the Jin,Yuan dynasties.古代戏曲音乐的形成,是各民族文化融合的艺术结晶。

2.At the same time, the modern creative theories which originate from western countries are widely used in music composition which has been made essentially different fromtraditional opera music in both content and form.新中国成立以后,戏曲音乐创作吸收了民族、西洋歌剧的创作手法,并大量运用了现代西方作曲理论,使现代戏曲音乐创作无论从内容还是形式上都与传统的戏曲音乐创作有着本质的区别。

延伸阅读

昆曲昆曲中国戏曲剧种。又称昆剧。发展明初已有昆山腔。嘉靖年间,魏良辅借助张野塘、谢林泉等民间艺术家的帮助,建立了委婉细腻、流利悠远号称水磨调的昆腔歌唱体系,但仅是清唱。后经昆山人梁辰鱼等人改革,并创作传奇《浣纱记》上演,声名大振,文人学士争用昆腔新声创作传奇,遂与海盐腔、余姚腔、弋阳腔并称明代四大声腔。至万历末,一跃而为诸腔之首。昆腔传入北京,迅速取代北曲的地位,受到了士大夫和群众的欢迎,逐渐发展成为全国性剧种时人称为官腔。昆山人梁辰鱼等创作的《浣纱记》昆曲演出泥塑从明天启至清康熙末年,是昆曲发展的鼎盛期,新作不断涌出,表演日趋成熟,身段表情,说白念唱,服装穿戴也日益讲究,脚色齐全,分工细致,一般剧种,难与抗衡。但由于传奇体制较长,全本演出需要两个晚上或更多时间,随着清代花部诸腔的兴起,倚重生、旦格局,讲究词曲典雅的昆剧受到冲击,经过艺人的演出实践,删除了一些场次,选择精彩的一出或数出,加以充实丰富,作为短剧独立演出,于是,折子戏应运而生。乾隆三十五年(1770)由玩花主人编选的折子戏总集《缀白裘》的问世,标志着昆曲由演出全本传奇到演出折子戏的过渡。折子戏以情节生动、表演细致,给乾、嘉时期昆曲舞台带来了生动活泼的局面。而与之俱来的是剧目锐减,表演凝滞,缺乏新鲜气息。加之格律过分谨严,文辞古奥典雅,使昆曲脱离群众,步入困境。道光以后,昆曲虽在新兴城市的上海支撑一时,待到光绪时徽班、京班相继南下,昆曲难与匹敌,遂逐渐衰落。中华人民共和国建立后,在政府的扶植下,一出《十五贯》演出,轰动全国。至今昆曲清唱仍在海外华侨聚居区传唱。风格昆曲行腔优美,以缠绵婉转、柔曼悠远见长。在演唱技巧上注重声音的控制,节奏速度的顿挫疾徐和咬字吐音的讲究。场面伴奏乐曲齐全,以声若游丝的笛为主奏乐器,使昆曲音乐以婉丽妩媚,一唱三叹著称。由于表演艺术的全面发展,脚色行当自然越分越细,如老生分副末、老外、老生;小生分官生、小生、巾生;净分大面、白面、二面、小面;旦分老旦、正旦、作旦、刺杀旦、五旦、六旦、耳朵旦等。各行脚色都在表演上形成自己一套完整的表演程式。这些程式化的动作语言,在刻画人物性格、表达心理情绪、渲染戏剧性和增强感染方面,形成了昆曲完整而独特的表演体系。作为一个独立的剧种固然衰微已久,而其艺术生命实际上远远没有终结,京剧、越剧、川剧、湘剧、婺剧、祁剧、桂剧、柳子戏等,都受其深刻影响,仍保留着昆曲的部分剧目、声腔和曲牌。至今浙江、上海、南京、北京还有独立的昆曲剧团,继续演出。昆曲《本无·色空》

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