声律,rhythm
1)rhythm[英]["r?e?m][美]["r?e?m]声律
1.Rhythm Makes Sounds Gorgeous and Appealing——An Analysis to the Poetic Rhythm Theory of Liu Xie;“音以律文 声得盐梅”——刘勰声律理论浅析
2.These two works also reflect Yin Fan s idea of poetry, namely both therhythm and the vigor of style should be paid attention to.《河岳英灵集》《丹阳集》是盛唐殷所编的唐诗选本,也体现了他的诗学观:声律、风骨并重。
3.The text criticizes on some classic writers and examines a few key phrases like "Since the 15th year of the era Kaiyuan, therhythm and poetic styles have been completed" taken from He Yue Ying Ling Ji Xu , then it points out the original significances of the author Yin Fan s "Spirit, Vitality, Sentiments" and their unique roles in the poetics of the High Tang.本文通过对《河岳英灵集》中具体的作家评论以及《河岳英灵集叙》“开元十五年后 ,声律风骨始备矣”等关键词句的考察 ,揭示出了殷“神来、气来、情来”说的本来含义及其诗学理论在初盛唐诗学史中的独特
英文短句/例句
1.Rhythm Makes Sounds Gorgeous and Appealing--An Analysis to the Poetic Rhythm Theory of Liu Xie;“音以律文 声得盐梅”——刘勰声律理论浅析
2.Du Shenyan and the Formation of Wulu and Wupai Meter in Poetry;杜审言与五律、五排声律的定型——兼述初唐五律、五排声律的定型过程
3.the relationship of《zhong yuan yin yun》and 《qu Iv》;《中原音韵》与《曲律》声律体制异同之辨析
4.xquisite Artistry Is Now Yet Another Hard Nut --A Few Brief Remarks on the Tonal Patterns of Huaiju s Remaining Poems;律细而今亦大难——《槐聚诗存》声律摭谈
5.The leading part or the air in a harmonic composition.主旋律,主声调和声乐曲中之主要声部
6.unwisely snapped the lawyer.律师愚蠢地厉声说。
7.declare or make legally valid.声明或使在法律上有效。
8.Where drums beat, laws are silent.战鼓一响,法律无声。
9.Melodic ascent and descent of pitch.旋律的变移声调旋律的上升或下降
10.The Study of the Prosodic Features of Mandarin Tone-4 and Tone-5;汉语去声和轻声音节的韵律特征研究
11.Vocal or instrumental sounds possessing a degree of melody, harmony, or rhythm.乐音有节奏、旋律或和声的人声或乐器音响
12.Study on the Propagation and Evolution Principles in Non-Homogeneous Acoustic Media;非均匀声介质中的声传播及演化规律研究
13.A Study on the Law of Correspondence between the Initial Consonants in Bijie Dialect and the Initial Consonants of Beijing Pronunciation;毕节方言声母与北京语音声母的对应规律研究
14.On Basic Materials of Harmony:A Study of Common Logic Law of Harmony;论和声的基本材料——和声的共同逻辑规律研究
15.Study on Pronunciation Rules of Chinese Characters Beginning with Initial Consonants "n" and "r" in Japanesen声母和r声母汉字在日语中的发音规律
16.(2) Imitative Songs.a low voice imitates the melody of a high voice, and they overlap.(2)模仿织体。即低声部以自由模仿上声部的旋律而构成双声的迭置。
17.The lawyer asserted with emphasis that the accused was not guilty.律师强调地声称被告无罪。
18.von kormon"s transonic similarity rule卡尔曼的跨声速相似定律
相关短句/例句
prosody[英]["pr?s?di][美]["prɑs?d?]声律
1.The research ofprosody used to focus on its contribution to the development of Chinese literary form.以往论述声律说的成就,多集中在它对发展汉语文学形式的贡献。
3)law of sound声律
4)rhythm rules声律
1.For sure he opposed therhythm rules of the Qi and Liang Dynastry and thought people didnit have to obey therhythm rules of modern style poerty,but he also payed attention to therhythm rules,in fact he accepted therhythm rules of modern style poetry.殷璠声律说之所以有很多费解之处,是因为他的声律说的内容比较复杂。
2.Ancient Chinese prose without punctuation is a kind of cultural phenomenon, which is related with the characteristics of the beginning of Chinese written language, the Chinese symmetry,rhythm rules and function words.这与书面语产生之初的特点有关,与汉语的对称性、声律、虚词等有关,与早期古籍的成书过程与流传方式有关,还与古人的训诂和保守思想等有关。
5)sound principle声学规律
6)literary grace and cadence文采声律
延伸阅读
声律中国古代对诗和骈文在声调、音韵、格律等方面的要求。根据汉字单音节的特点,三国时李登作《声类》,以宫、商、角、徵、羽分韵,首以五声配字音。西晋陆机在《文赋》中说:"暨音声之迭代,若五色之相宣。"也提出了字音的调配问题。南朝宋范晔《狱中与诸甥侄书》中有"性别宫商,识清浊"的话,说明已经注意调配,能够识别五声。南齐周颙作《四声切韵》,已开始分别字的平上去入四声。到梁代沈约进一步用五声来调配诗的音节,他在《宋书·谢灵运传论》中指出:"欲使宫羽相变,低昂互节,若前有浮声,则后须切响。"即要把宫声和羽声的字、浮声和切响的字互相调配。他又提出"八病"说,即平头、上尾、蜂腰、鹤膝、大韵、小韵、旁纽、正纽。前四病为浮声切响(即后来的平仄)的调配不当;后四病指双声迭韵的调配不当。后来更进一步用五声来配四声,但对五声与平、上、去、入关系的解释,却存在分歧。沈约所说的低昂或浮切,以及刘勰在《文心雕龙·声律》中所说的"声有飞沉",都是两分法。四声怎样分为两种,在六朝时没有完全解决。"八病"说过于繁琐,沈约自己也不能遵守。到了唐朝,以上去入为仄,平仄相配,符合于低昂、浮切、飞沉的两分法,便逐渐形成了平仄协调的格律。这种格律运用到五言诗七言诗,就成为律诗;运用到四六文,就成为格律文。它的特点是把句子分为音步,有双音步和单音步,如五言律诗的仄仄平平仄,就是两个双音步和一个单音步,平仄互相交错;七言律诗即在五言律诗上加一个平仄相错的音步。一联中的两句平仄相错,联和联之间的平仄相承。再加上双句用韵,首句可用可不用,中间两联对偶,这就构成律诗的格律。四六文是以两个双音步平仄交错为四字句,三个双音步平仄相承又互相交错为六字句,构成上联,再与同样字句的下联平仄交错相对,构成格律文。声律对唐代近体诗的形成起了很大的作用。熟练地掌握声律,有助于创作出音调和谐、悦耳动听、富有音乐美的作品来。